A video appeared on my social media feed a few months ago that left me dumbfounded, immersing me in an ocean of thought about how rapidly, in the evolving landscape of football fandom, player worship is suppressing the love for the club. In the video, the host asked four random Mohun Bagan supporters whether they would rather see Dimitri Petratos join the rival club, East Bengal, or Mohun Bagan endure five trophyless years. All four replied that they would rather see their club remain without a trophy for five long years than watch Dimi, the "Dimi-God", wear the rival colours.
Dimitrios Petratos joined Mohun Bagan during a period of unrest both on and off the field. After joining in the 2022-23 season, he gradually became the heartthrob of the fans for all the obvious reasons. He delivered clutch moments, led the team to trophies, defeated the arch rivals, which all led him to earn the affectionate nickname "DIMIGOD", inspired by the term "Demigod". But what began as a gesture of admiration for his sublime performances over two seasons, evolved into a form of toxic personal worship– an instance of hyperreality at work in sport.
Initially the term was a playful metaphor, suggesting that Dimi is "Half Human, Half God" on the pitch. His footballing skill, consistency, charisma turned him into the emblem of a new footballing narrative. Since Mohun Bagan entered the ISL era, what Dimitri Petratos has given to the club is something very few players have managed to match! Perhaps, only Vishal Kaith can be mentioned alongside him in this regard. After the rival supporters crossed all limits following their derby win against Mohun Bagan after four years, it was Dimi who took only twenty one days to respond. His left footed strike that beat Gill and found the back of the net in the Durand Cup final was not just a goal – it was a statement! Fans might have had to wait much longer for the success of the battle they had been fighting off the field since 2020, if not for the beast-like performance of Dimi Petratos.
As the name, “Dimi-God” spread through social media, fan pages, and slogans, it began to detach from its original context. Petratos’ identity as a footballer started to get replaced by a simulated image of perfection. What fans began to worship was no longer Dimi, the Player, but "Dimi-God", the Hyperreal Construct created through highlight reels, heroic music, tifos, chants, and overhyped sensationalism.
In the postmodern world, representations no longer merely reflect reality but replace it, said French philosopher Jean Baudrillard. They become 'Simulacra': copies without an original or something that has lost its original, and in doing so, produce a reality that becomes more real than the real. Here, fans start to evaluate reality through the lens of simulation. Every goal, assist, pass or miss is judged not by footballing logic but how well it sustains the myth of Godhood. Since last season, Dimi has struggled with poor form and fitness issues which led to a drastic decline in his performance. But when he failed to perform, it was not seen as the natural fluctuation of form but rather as the 'Hamartia'(meaning: a flaw in character that brings about the downfall of the tragic Hero or God) of a hero that fans themselves had created!
This distortion of perception is gradually producing toxicity within the fanbase. Supporters who question Dimi's declining form are being branded heretics. Journalists who criticized him faced online harassment. Since the last season, he has been struggling to move forward or make a progressive pass after receiving the ball. Instead, he frequently turned back and passed the ball backwards. Naturally, this frustrated many fans. However, if he somehow managed to score or provide an assist, a section of supporters immediately starts behaving as if he is a superhuman and attacks those who criticized him for genuine reasons. Interestingly, if you ask fans before a match who they predict will score, many of them still say “Dimi. Dimi. Dimi. He must score." The collective spirit that once defined football fandom is replaced by an 'individual cult'– a religion of the simulacrum. In traditional fandom, players embody the club’s legacy; in hyperreal fandom, the player becomes larger than the club itself. The toxic culture that developed around the 'image' of the player is not just a distortion of fandom, it is fandom perfected under the logic of hyperreality. When these fans say "Dimi-God", they affirm not just admiration but submission to a manufactured perfection. This idolatry thrives because modern media ecosystem rewards constant amplification of emotional extremes. Every goal, every celebration, every movement is captured, clipped, edited, and reposted, feeding the illusion of immortality.
Dimi has gradually become an instrument of engagement: a tool to stir emotions, divide fans, and construct false narratives. Several pages and content creators exploit his name for their own reach. Every now and then, rumors about his departure surface, triggering unrest among the fans– tweets, posts, videos, logic and counter logic – something that wouldn't have happened so much with other players. Recently during a peaceful protest by the fans against the management, false narratives suddenly spread that the protesters had "damaged Dimi's car". Here, neither the car nor the alleged attack is truly important. What matters in this context was "Dimi" itself, the symbol that was used to manufacture a story. Hence, the player becomes both the object and victim of hyperreality, consumed by his own image.
Baudrillard’s concept of implosion of meaning is relevant here. The flood of images, reels, statistics, writeups surrounding fan favourite footballers does not clarify reality but it overwhelms and dissolves it. The player's transformation from athlete to deity mirrors the broader postmodern condition where symbols eclipse substance and devotion mutates into delusion.
Let there be songs about Dimi, chants about him, even poems in his name. Let Mohun Bagan fans continue to celebrate him with rhythm, melody, and passion. But one thing must always be remembered: No player can ever be bigger than the Club. Those who criticized Dimi at certain points did so for valid reasons. Even now, those who are not entirely satisfied with his performances this season, despite a few glimpses of his old brilliance under Sergio Lobera, have legitimate grounds for their feelings. Dimi exemplifies how sport in postmodern world blurs the boundary between the performance and the performance-image. The real game and the real man should be celebrated, not his hyperreal construct.
Name: 𝗗𝗜𝗠𝗜 𝗚𝗢𝗗 🔥
— Mohun Bagan Super Giant (@mohunbagansg) August 8, 2025
Status: 𝘉𝘢𝘤𝘬 𝘪𝘯 𝘒𝘰𝘭𝘬𝘢𝘵𝘢 😍#MBSG #JoyMohunBagan #আমরাসবুজমেরুন pic.twitter.com/nHEsqsRxdg
Dimi recently played his 100th match for Mohun Bagan against Bengaluru FC on Saturday. Among all the foreign players who have represented the Club, he will certainly rank among the very top in terms of impact! Yet we must be careful not to be consumed by the hyperreal world of excessive hero worship. Beyond toxic fanaticism, blind devotion, and the elevation of idols to Godhood lies another world where affection co-exists with logic and an unclouded understanding of the game of football.




